The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

Extraordinary

Harking back to one of the last freewheeling interviews given in New York by the famed actor, Peter O’Toole, in which he discusses Indian cricket, Bo...

Iron in the soul

“Meet Manohar Mhatre, the eminent artist who was with the legendary Progressive Art Group, but has never hankered after fame or money&rdq...